Gross Out Legend

I did this interview almost two years ago. Mr. Groman was extremely kind and awesome about it. I was going to post it right away but had to wait for some follow up question answers and permission to use some of Mr. Groman's art. Since he's an extremely busy dude, making some extremely awesome work, I decided to not bother him and let him contact me in his own time. Well, I think, rightfully so, he forgot and then so did I. It's not too important anyway. I never got his permission to use art, and I don't want to overstep my bounds and just assume he'd be ok with it (having had my own art pilfered on the internet dozens of times), so I just sprinkled pictures of some of my collection to break up the talk. It is a very informative interview for Mad/Sadball collectors, but I think any hopes of a Madballs reboot series three have been dashed in the 2 years since he and I originally corresponded.

As a collector of toys, I gravitate towards things that are gross and monstrous. The toys I loved as a child were always the bad guys or the creatures with snarling faces and multiple eyes. Cobra over G.I.Joe, Deceptacons over Autobots, and I always wanted the Mutores to triumph over the Earth Corps, because then we'd live in a monster utopia where everyone looked cool and ate trash. One thing I never considered as a kid was who the hell was designing these things. It also never occurred to me that one person could cross over. Like if anything, Mattel had three creepy dudes locked in a basement that just worked on their stuff. As an adult (now an illustrator myself) I've done research as to who's broken brain spews this sweet stuff out. One name that I kept running into was James Groman. An amazing illustrator, James has been designing toys for 20 years and worked on my favorite line of all time, Madballs. He was kind enough to answer a few questions via email (please excuse the robotic tone of my questions) and add some insight into the world of monster faced balls.

BLARGHHH-Let's start with a simple introduction..

GROMAN-James Groman is the name. I’ve been drawing, designing and sculpting toys and model kits for about 20 years now. I may be best known as a creator and contributing artist on toy lines like: Madballs, Blurpballs, Barnyard Commandoes, Stretch Armstrong, Star Wars, and a sculptor on model kits based on The Mummy, Star Wars, Sleepy Hollow, Godzilla and the Creature from the Black Lagoon. I currently work as a Children’s’ Entertainment and Product developer for American Greetings Properties in Cleveland Ohio, as well as sculpt, paint and doodle monsters as personal projects and for gallery shows whenever time allows.

BLARGHHH-How did you get involved in illustration and toy design?

GROMAN-I have been drawing and sculpting since I was hatched. Back in the 60’s when I was growing up, we had what was called Super Saturdays, and Cartooniverse. All the programming on Saturday was virtually owned by the Hanna Barberra studios with shows like: The Herculoids, Space Ghost, Galaxy Trio, Dino Boy, Frankenstien Jr., Mighty Mightor et all. This was usually followed by a marathon of Saturday afternoon monster flicks on the Weekend Movie or Saturday Drive-in Theater. There I was introduced to most of the classic Universal Monsters, Ray Harryhausen, the awesome Hammer Studios films as well a parade of way-cool B-movie monsters. I would sit in the dark like a morlock, eyes glued to the television, sculpting and etching every monster, alien or dinosaur that came across the screen.

It ended up that practice makes perfect, or at least made me good enough to be able to attend The Cleveland Institute of Art. There I majored in illustration and Graphics and minored in Cinematography. I graduated with a BFA and moved into a career as an illustrator and sculptor for major toy product and model kit companies such as: American Greetings, Hasbro, Playskool, Ertl Collectables, Cap Toys/Oddzon, Wild Planet, Playing Mantis/Polar Lights and Geometric design to name a few.

BLARGHHH-It seems like you'd be a big Tales From the Crypt fan. Can you tell us some influences?

GROMAN-I love the old E.C. comics Tales From the Crypt, and have studied the artwork of many of the great artists that worked on that comic magazine. I also grew up reading later day magazines like Creepy, Eerie, Boris Karloff Presents, and the Marvel comics titles: Where Monsters Dwell, Where Creatures Roam, Werewolf by Night, Monster of Frankenstien, Tomb of Dracula and Man-Thing. Artists like: Frank Frazetta, Bernie Wrightson, William Stout, Dave Stevens, Mike Ploog, Alex Niño, Nestor Redondo, Esteban Maroto and Alex Toth were all very highly influential to me. Though many have told me that they can see a big influence on my work from the early adventure cartoons of Hanna Barberra that I mentioned before.

Also, as I mentioned before, I am a huge monster move fan, the original King Kong being my all-time favorite. Just a brilliant film on so many levels. Story, artistic vision, groundbreaking special effects, music and sound effects. I don’t think there has been any one film, (other than perhaps, the original Star Wars) which has influenced more artists and filmmakers than that 1933 classic.

I love the classic black and white films that Universal made in the 30’s and 40’s as well as the films of Ray Harryhausen, who has helped shape (or misshape) me into the man I am today.

BLARGHHH-Pick your favorite Universal Monster.

GROMAN-That would have to be the Gillman from Creature from the Black Lagoon. One of the all-time great monster designs ever created for motion pictures. I was lucky enough to be selected to sculpt the Gill-man for Geometric models official licensed model kit of the character a few years ago. If they only knew I would have done it for free…

And though the choice of the Gill-man as my favorite seemed to come to me rather quickly, it did not. I am also a huge admirer of make-up master Jack Pierce’s incredible Frankenstein Monster that has gone on to define the character.

BLARGHHH-Creech has always been my pick too! I really like Monster Squad version of him. What's your favorite Hammer version of a classic monster?

GROMAN-I love the werewolf make-up used in Hammer’s Curse of the Werewolf. What I always enjoyed about the Hammer Studios horror films was as much as they followed Universal’s lead on atmosphere and drama, they always brought something new to the proverbial table. And that could be said of the awesome Victorian style werewolf played in that film by Oliver Reed.

BLARGHHH-I love the werewolf make up in that too but Christopher Lee as Dracula will always be my favorite. I prefer him to Lugosi. Speaking of monsters (clever segue huh?), you worked on a comic called Buce N Gar after school. Was it self-published?

GROMAN-Buce & Gar (now spelled Boose & Gar) was published by my friend Robert Kraus with his company RAK Graphics. We traveled the country doing comic book shows and promoting B&G to the comic-buying public for a number of years back in the early 1990’s. This was a very enjoyable time of my life, talking to all the people who loved the books and the characters across the U.S. I recently ran into a guy in California that used to buy Buce & Gar when he was a kid. I happily handed him the new, collected edition of the books that I recently self-published. It made my day.

BLARGHHH-That's awesome! The new edition was a long time in the making. An entire issue was lost right?

GROMAN-Actually, it was the final 7 pages of the entire 100 page, 5-issue story arc. It was lost at the printers along with two full color pieces of cover art. Broke my heart. Years later Bob Krause showed up at my studio with an envelope he found with my lost pages. I was so happy that I published the complete 5 issue run as a collected volume, which is available through KaBlam comic publishers and my website. Though it was done early in my career, I think it is still a fun read.

BLARGHHH-Then your first toy job was at American Greetings right out of college?

GROMAN-Yup. I always fancied myself doing paperback book covers, comics and film design while attending school, but being hired by American Greetings product development division set me on the path of a career in toy design. Never saw it coming, but it’s kept a roof over my family’s head ever since.

BLARGHHH-Can you tell us the origins of the Madball line? Any significant predecessors?

GROMAN-I was originally hired at AG because my style seemed to be a good fit for the work being done on Madballs and a couple action figure lines they were working on. The idea of Madballs seemed to come from a toy concept based on Hot Potato. Some designers at AG started drawing the toy potatoes with goofy faces on them. This seemed to click with everyone, and before long the concept had jettisoned it’s hot potato origins and evolved into the horrendous monstrosities that we have come to know and love. Most of the artists working on the balls at that time were quite talented illustrators who drew from their knowledge of E.C. comics, Eerie and Creepy horror comics with a wink to Big Daddy Roth. You see, AG is mostly known or cute and cuddly critters like Care Bears, Strawberry Shortcake and Holly Hobby, so working on something as irreverently horrific like Madballs was a form of therapy for some of us.

BLARGHHH-You worked on BOTH lines of Madballs (80's and 00's). What was your involvement with the 80's line?

GROMAN-I came in after most of wave 1, 2 and 3 had been designed. What I was recruited for was to work on the lesser-known Madballs action figure line. This I dove into with reckless abandoned. I designed a couple of the wave 1 figures, and almost all of wave 2.

BLARGHHH-Who were the other designers involved?

GROMAN-Madballs concepts and designs came from many different people. Some of the ideas came from art directors who never put a pencil to paper, but still were instrumental in their inception. Many of them are still very good friends of mine to this day. The artists were James Elliott, Mark Spangler, Vint Gonsor and Tom Kuebler. Kuebs is a well known sculptor these days, and you can find some of his amazing work on his website: www.tskuebler.com/

Other folks who were instrumental in the creation of the balls were George Chanter and Ralph Shafer. All of us were part of the American Greetings division called Those Characters From Cleveland who was responsible for many of AG’s most memorable characters.

BLARGHHH-Can you discuss your process in designing toys?

GROMAN-Most of the time my approach depends on the project on which I am working. It usually starts with a discussion on what the toy is, and what the expectations are for its features and aesthetic. How big is it? Does it have electronics? What is its price point at retail? I know, it doesn’t sound like that much fun,…but most of the time that is exactly what a toy designer needs to take into consideration when designing most toy product. The cool thing about Madballs was they really didn’t have a ‘demonstrable feature’ or mechanism. The main feature of Madballs was all-aesthetic. It was all about the unique, imaginative monstrous designs.

A lot of times I will brainstorm with other artists and creatives working on the line, or I just sit down and start jotting down ideas and thumbnail drawings. When my concept roughs are approved, I then move into more finished designs, many times moving into color. If the design makes it through the many in-office product reviews, concept and licensee approvals. It more than likely then moves on to the prototype or model stage. Many times I will be called on to create style control drawings, (often referred to as schematics or orthographic views) of the toy and it’s various parts. I will create highly detailed drawings of the character, accessory or vehicle from multiple angles so that the sculptors and model makers can create 3-dimensional versions of the toys I have designed. While at Hasbro toys I usually oversaw the sculpting process as well as the choices of color for paint on the models. Keep in mind that I have greatly simplified the process here as to not to bore your readers with too many details.

BLARGHHH-Haha, I'm actually fascinated by it. As someone who appreciates toys I have very little knowledge about the process of making them. Were there any designs that were deemed "too gross" back then?

GROMAN-I don’t remember too many designs back in the eighties being too gross to be released. But I do remember having to cut back a bit on the red blood paint operations on the balls. We had to turn alot of the bloody deco into the green slime that has become synonymous with the line. But we do have a few designs in the new line that had to be pulled. One was a gangster riddled with bullet holes, and the other (not designed by me, I might add) involved a wonderful mouthful of maggots.

We did have one character whose name had to be changed for reasons that I think most of you will understand. His original name was Crack Head, and that is the name that appeared when he originally shipped in the 1980’s. Later product shipped with a small sticker over that name on the backer card. His new name had been changed to Bash Brain, which it remains to this day.

BLARGHHH-The one I have definitely has Crack Head stamped on the back. Aside from the balls themselves there was a ton of Madball merchandise. And MOUTHFUL OF MAGGOTS?! How much would it cost me to get that made? Oh god. Anyway, back to the questions: What was the weirdest related product you worked on?

GROMAN-Wow. Weren’t Madballs pretty weird themselves?

BLARGHHH-Haha, point taken.

GROMAN-Well, a lot of the other Madball product was designed by whatever licensee had picked up the license from American Greetings. But I will tell you the weirdest stuff I have seen are the countless Madball tattoos on various parts of the human anatomy people have sent me over the years.

And yes, I have considered getting one myself.

BLARGHHH-More in the 80's than now, Madballs had a fair share of imitators and bootlegs. What was it like seeing something you'd worked on be copied like that?

GROMAN-Well, most of us saw it as an educational experience. It taught us at American Greetings that we needed to be prepared to follow up a successful toy line like Madballs with new, fresh product. Because if your not prepared for success with new product ready to ship, you give all the rip-off companies a chance to line the shelves with copy-cat merchandise that waters down the market for your product.

BLARGHHH-Do you have any insight as to why "gross-out" toys (Garbage Pail Kids, Mad Scientist, Boglins, Madballs) became so popular in the 80s?

GROMAN-All of us in the toy industry are constantly trying to find the next big trend in toys. Every once in a while you come across an empty space on the toy shelf that if you fill it, creates a whole new category in the marketplace. I’m not sure who is responsible for the wave of ‘gross-out’ products in the 1980’s, but I know that we at AG and TCFC are partially to blame. I suggest that it started with Garbage Pail Kids collector cards (who were continuing a tradition begun by the wonderfully infamous Mars Attacks cards), and we took it to the toy shelves.

BLARGHHH-You were also the sole designer of Blurp Balls is that right? They may be my favorite toys after Madballs.

GROMAN-Yes, I had the pleasure of being the sole designer of that line. But I must in good conscience remind everyone that an imaginative guy that goes by the name Rick Reising penned the names of the Blurp Balls characters. Rick still works with me here at American Greetings Properties, and has been instrumental in christening our new Madball characters with their perspective monikers as well.

I might mention that one of my favorite Blurp Ball characters was never made. He was an astronaut that fired a satellite from his mouth. His name was Up-Chuck Yeager.

BLARGHHH-You're blowing my mind here. Up-Chuck Yeager is maybe the funniest thing I've ever heard. Whose idea were Blurp Balls?

GROMAN-Once again, ‘success has many fathers, failure is an orphan’, so many different stories exist on the creation of Blurp Balls. I know that I was in the brainstorm at American Greetings that initiated the concept, and that its origins are quite bizarre. As I remember it, a young lady in our group brought a rubber monster prop she had bought in California to our meeting. For some strange reason we ended up putting a Madball into the creature’s mouth. When the critter’s soft rubber body was squeezed, the Madball shot across the room and launched the Blurp Balls toy line.

BLARGHHH-What were the differences in designing Blurp Balls as opposed to Madballs?

GROMAN-Actually the thought processes were somewhat similar. Though we tried to brainstorm characters that inherently involved a kind of ‘side-kick’ character or prop that they might ‘blurp’ out. Like a cat and mouse, dinosaur and caveman, Baseball catcher and baseball, Vampire and heart, ect. And we also decided to pull back a bit on the gross out factor of the AG in comparison to their Madball cousins. I think we had been beginning to see a slight opposition at retail to toys that were too disgusting and gross in nature.

But I believe that we still were able to sneak a bit of that Madball disgustablity into the line.

BLARGHHH- I'd say so! Croaky Bugchuck is really nasty! I mean not as nasty as Splitting Headache. So, what was it like when you got hired on to redesign Madballs?

GROMAN-It was magical. When I came back to American Greetings they had already started bringing back the Madballs line, so I dug in and battled to claim it as my own. I think my excitement an enthusiasm helped everyone believe that I was okay to be trusted with working on the designs for the Madballs brand, so I went to work. Other folks at AG Properties who were instrumental in the relaunch of the new Madballs product line were Jeffery Conrad, Anthony Davila, Rick Reising, and Judi Schuman.

BLARGHHH-So, I've seen photos of a third series of Madballs floating around on various blogs along with the design artwork. Are those ever happening?

GROMAN-The product line at Basic Fun toys (the company licensing and manufacturing the Madballs toys) is on hold at the moment. But artwork of the characters of which you speak has appeared on sticker sheets, greeting cards, wrapping paper, hats, shirts and other print product. I am hoping that they will be made into toy product as well. Truth be told, we have about 80 additional characters that are part of the Madballs brand that have never been seen by human eyes. Even I drew them while blindfolded.

BLARGHHH-80!? There were also sweet King Kong and Godzilla-esque designs (as well as a lady and an android) on some of the new sticker sheets. Also a no go?

GROMAN-Only for the moment, my friend. Only for the moment. They will eventually see the light of day if I have anything to say in the matter. As far as the King Kong and Godzilla designs, they are based on two of my favorite movie monsters. You all know that the original Horn Head Madball is loosely based on the way-cool Cyclops in Ray Harryhausen’s film 7th Voyage of Sinbad, don’t you? Well, now you do!

BLARGHHH-Did you have anything to do with those little European Madballs?

GROMAN-Actually, yes. That company chose a few of our lesser-known designs from the new set of 80 characters that were created last year. I had some help on those designs by some buddies of mine at AG. Artists Carlos Villagra and Saxton Moore. This licensee did a great job on the sculpts, too. If you can hunt those down, I would recommend it. They are awesome, and they squirt water too!

BLARGHHH-Yeah I love them! Will there be more?

GROMAN-As always, it will be based on the sales of the existing line. I sure hope they do more, because of the quality they obtained with their first wave of product. And as I said, we have about eighty more characters for them to choose from.

BLARGHHH-Please stop reminding me that there's 80 Madballs I can't have. What's in the future for you?

GROMAN-Well, at American Greetings we have a number of very cool entertainment projects that I am part of that will be on the air very soon. One of them is an amazing action adventure property with lots of creatures and sci fi hardware. I continue to work with all the incredibly creative folks at AG on the characters, vehicles and backgrounds for all the various shows we will be launching in the coming year!

I have recently got back into sculpting again with a new 23 inch tall resin figure called The Zombot Ghoul which I am producing and marketing on my blog. I have been contacted by a collectable company about a sculpting commission, and begun work on stories for a couple comic book companies. I have also just got copies from the printer of what I am calling ‘an illustrated screenplay’. It is a script I wrote a few years back that I have had published in book form with a number of highly detailed black and white illustrations. It is called ‘Monster Hunter’ and is also available in my blogstore.

I like being busy, and am somewhat schizophrenic. I love to draw, paint, sculpt and write, and try to do all of these on a regular basis. So if anyone is ever curious about what I am working on at any given time, just hop on over to www.jgroman.blogspot.com and find out. And leave a comment while your there. Always love hearing what people have to say about my work.

A Journey Into the Unknown Part 4: Don't Call It a Come-BLECH!

Hello fiends and revenants! I know it's been a while since I dished up some ghoulish 80's monster ball madness but it wasn't due to laziness. In the 10 (!!) months since my last post I've been on trips to Ireland/England, Maine, Vermont/Massachusetts/Connecticut, and Portugal. On top of that I've been focusing on my H.P. Lovecraft monster blog( Yog-Blogsoth) as well as doing gallery shows and freelance work.

While there hasn't been much time for ball blogging, there has been plenty of time for ball buying! I've scored some gems in the past year and I'm going to start posting them again. The first batch are all inflatable rubber rip offs, about the size and shape of an authentic Madball, much like the 5 original Sadballs. Saint Sadball Of Orb. There's a lot of pics to make up for lost time, so enjoy!
Our first new entry is this dillhole. A creepy wannabe that I scored in a lot on ebay. I've seen this guy around but only just got one for myself. He's an excellently sculpted, super gross skull-thing with a huge bulging eyeball. The scar tissue around said eye and completely covering the other eye makes it look like his face is a huge zit that has just been popped. I think the blue and red color combo helps with that as well. He has a weird set of stitches on his head that may be baseball stitches? I dunno...he doesn't look anything like a baseball except for that. OH! I almost forgot to name him. Let's go with Baseboil...that sums him up!

God, this Peter Lorre lookin' dude (Peter Gory!) that's next kinda sucks. He's not really a monster as much as an extremely ugly guy with a pirate patch. I guess he does have that scar above his patched eye and that patch has a pupil?! He's also not really shaped like a ball, but kinda like a nut. Thumbs down!
Our next malformed mutilated monster, is an extreme mess. Don't get me wrong, Two Eyed Willy here is pretty neat (way better than Peter Gory), but he just looks a bit...off? There's a lot of detail but everything seems wonky, like a child drew the original sketch. Again, we have a skull-thing creature, with parts of his skin still on but sloughing off? He also has an eye patch but for some reason it's covering up, what appears to be, a fully functional eye. It does have some pizza sauce beneath it so maybe he's just a messy eater and the patch is like an eye bib? His gnarly fang mouth is cool, as well as his skeletal no-nose, but they're all crooked and skewed. Definitely a weird one.
These next two are really bizarre. Whoever designed them was on mescaline or peyote or whatever monster ball designers use, but maybe they used too much. Obed Marsh here is a crazy fish-human hybrid, with bulgy (look at the detail) eyes, tiny fins and tropical colors. He also has human teeth, nose and tongue and for some reason two sets of lips? I love this dude, but the back has absolutely nothing goin on. Junkless trunk.
His compatriot (Ball Of Confusion) defies all logic. Same over the top color scheme but with a...ummm....I guess I'll start with his mouth? What's going on there?! Did he get punched and it turned green? Is he half dinosaur?! Why only 2 perfect teeth (not fangs even)?! His one small eye seems to be sheathed in some sort of...skin flap...ew, while his other huge eye has growths on it! The rest of his face is covered in orange scars! Don't forget the huge blue eyebrows and reptile nose! WHAT?! So cool.
Next, Fr-acne-stein is like the Monster Ball Frankenstein was sent through a James Groman machine. Much more gruesome and without that 50's retro style, this guy has a horrid orange color, with red patches of zits on his cheeks. The green scar on his head is super pronounced and delicately sculpted as are the bolts on his neck/chin. The half shut eyes add to his overall deathlike appearance and he's got a cool slick backed hair style. I do miss the classic Frankenstein flat top, but all his grossness more than makes up for that!

Last and kinda not least is this goblin inspired sadball I've named Ballgoroth. He's not the most exciting dude in the world but he gets points for an interesting design. His huge floppy nose and tiny peg-teeth are pretty cool. His face is all wrinkly and saggy too! I checked his bottom (photo coming soon) and he's got a familiar Emson Freaky Fred stamp! He's related to these guys! Why his name is exactly the same is beyond me but he now resides very close to his brothers...what the hell is wrong with me?!

In conclusion, these are all (except for one, and he knows who he is) cool and worth grabbing, but good luck finding them. The only one that I've ever seen pop up before is Baseboil. Anyway, I've got something REALLY cool in store for next week. A two year old interview I did with James Groman himself!! See you next week nerds!

Unwanted and unloved...

"No Comment"

So there's a little story that goes with this weeks grossos. Not even a story, a blurb really. When I found these guys on ebay, there were two lots of them from the same seller, each lot with 10 balls. They both looked the same so I randomly picked one and bid $4. Then I notice a note from the seller in the description that said (and I'm paraphrasing here, because the auction has been removed) "I don't know why anyone would want these but if you must have them feel free to bid". HA!
I thought that was the extent of the seller's hatred for these dudes until I won and received both lots in the mail! I guess no one bid on the second lot and he couldn't stand to have them around his house, glaring at him and mocking him with their awfulness.

I mean they are weird and ugly but not that bad. When they arrived they were mostly loose but a few were still in their mesh net packaging and there were a couple with the tags on.

Novelty Inc. , a company from Greenfield, Indiana is the responsible party but I'll cut them some slack because it looks like monster headed balls aren't their usual market. They make christian trinkets, energy drinks and smoking accessories. Huh? Anyway, they really did just churn these dudes out and move on. Only three sculpts, no packaging and no names. Like someone at the factory got coerced into making them. Obligation fulfilled, now leave me alone. First off, we have a dude I'll call Randy. He's kinda just a guy with some stitches and a flat-top. Like the rest this guy is soft squeezable rubber that was filled with slime. So when you applied pressure the slime would push out the holes in his eyes and mouth. After years of sitting on a shelf, not only has the rubber hardened but the slime is now just a tacky glistening ball.

Anyway, Other than his cauliflower ear, there's not much to this dude. His features are distorted enough that I don't find him boring but he's not a monster.
This next guy is a cool skull. He was in some sort of accident that knocked out a tooth, cracked his top, exposing his brain and gave him little cuts all over his skull.....which bled. Wait? What? Despite his slime holes, you can see he was once a blue eyed boy...but wait, what's that under his eye then? It can't be an eyeball cus, he's still got those. Well it looks like a Cadburry Egg with the top cut off. Either that or it's a piece of...oops. Let's call him Brown Eye. I may make fun of the logic of it, but the details and lopsidedness are actually pretty appealing. Frankensloth is our final subject and my favorite. He looks like some disgusting orc from Lord Of the Rings. The oversized tear drop eyes and the wagging blue tongue are really gnarly but what gets me the most are those teeth. Horribly blackened gums and tiny pegs of teeth barely breaking the skin. Ew.

In conclusion, these dudes are kinda simple but neat, especially when you consider how much detail is crammed onto such a small space (1.5" diameter). I don't think you'll be able to find them anywhere but if you really want one I can part with a few. After all I have 20!

Crossover Madness!!

Hey dudes, I just realized I forgot to post a link to this awesome toy crossover. Toypedia (an excellent site you should bookmark) did a feature on Eraser Bouncing Bad Bad Balls! I reshot them for the post so you should check it out for some more detailed pics. Also, check back regularly for all your tiny rubber toy needs.

Ready...Aim....BLURP!!!!

"They Retch It! You Catch It!"

Hey dudes! I know it's been a really, long time but I've been super busy with art. That doesn't mean that I've been slacking on the Madballs/ripoffs collecting front. On the contrary, I've scored some awesome bootlegs in the past few months that will make their way on to this blog soon enough. In the meantime, I wanted to do a special deluxe post for my 1 year anniversary of blogging. So.....I present you with the closest thing to an "official" Madballs ripoff...BLURP BALLS!!!What makes them "official" is that they were designed (soley) by James Groman, one of the designers of the original Madballs series and the 2007 reboot (not to mention Food Fighters and Barnyard Commandos). Ertl (famous for toy trucks) brought Blurp Balls to the table in the mid 90's way after the gross out trend had died but they tried to expand on the idea by adding projectiles into the mix. Essentially, making the toys barf or blurp.

These things are slightly larger than Madballs and the material is similar to the soft rubber of Sadballs but a little more durable, which allows better paint jobs.

I managed to get my hands on two of these dudes MOC but as you can see the packaging leaves a lot to be desired. There's huge amounts of open space, the text is blocky and irregular. It just all seems dated. And that drawing...ugh. It reminds me of some 4th tier Image comic that would have a preview in the back of Shadowhawk.
The back is simple in a good way but still...that orange..oof! The back provides pics of the rest of the dudes, and that's where the real joy is. While the packaging may suck, the toys themselves are amazing. They even have funny names like Count Heave-a-heart!
As with any toy that fires a projectile there are some hilarious warnings. I mean, they're soft rubber nubs that shoots out of a ball when you squeeze it, how bad could that hurt you?

Before we get to our actual fiendish friends, I have another version of the packaging for you. This one is an Italian card that I scored from an online toystore. Everything about the toys is exactly the same and the Ertl name is still present but there's another company (perhaps just Italian distributor?) named Giochi Preziosi stamped all over the thing. They've replace the garish orange with a technicolor swirl that I somehow like better?

I know this is gonna sound like I'm making a joke, but I swear to you that the Italian one smelled like cheese when I opened it up.
Babel Fish is basically useless, so I have no name translations for you, although, I'm pretty sure Vampir is just Vampire. Teeth Something, Shark Something, Something Cat...that's all I got. Let's get to it then, shall we?
Biff Barfball is the first one up (get it?). He's probably my least favorite because he's kinda just a guy that got beat up and then caught a cold but went to baseball practice anyway. He's not a zombie or a monster or a messed up animal. Just a dude. I guess it's cool that he swallowed that ball, and he is sculpted very well. All of these have an astonishing (that's right, astonishing) amount of detail.

Here's his blurp (I don't know, what would you call it?!) up close. It's a baseball and it's got his teeth embedded in it as well as splashes of blood on the top and bottom. Ehhh....it's ok but kinda boring. I guess the teeth gross me out a little because I think of getting hit in the mouth with a baseball. My second favorite is the immaculate Count Heave-a-heart. A super wrinkley vampire with pointy ears a bad complexion, and beady little yellow eyes! Despite all the spiders, cobwebs and bats clinging to him, the Count still find time to dress nicely with a purple high collared jacket and dress shirt with skull cufflinks. I wish I looked that good. Oh check out those sideburns too!!
That's all well and good but what makes nasty nosferatu even better is that his blurp is an anatomical heart!! This is actually pretty accurate for its scale and material and even has muscle ridges and veins!Normally I wouldn't really care for monster balls that are modeled after animals but Croaky Bugchuck here is really disgusting. He's dripping with ooze from his mouth, he's covered in bugs and the texture of the rubber he's made out of almost make it feel like you're holding a real frog. Weird! I especially like the contrast of the dark green skin and light yellow eyes. Nice touch.
Croaky's blurp is by far my favorite. It's a gross little fly with huge red eyes and a puckered purple sucker. No shortcuts here, all six legs are present and he's clinging onto some awful black snotball or something. Ewww!
Skulls are always popular, especially when it comes to monster faced balls. Boney Tossteeth is the Blurp Ball version and it's a cool one! He's still got eyes deep in his sockets which is a plus and somehow his brains are coming out through the bottom of his skull?! Not only that but there's a rattle snake in there!! WHAT?! How and why does that happen?! While those are all confusing components, what really throws me for a loop is how a skull has lips, and why is he spitting his flesh covered teeth at me!?Maybe these are supposed to be dentures but I get the impression that they're a separate part of his anatomy that can launch at will! This cheesy smelling dude is my favorite. I love dinosaurs. I also love false history where dinosaurs and cavemen hung out. Tyrannosaurus Retch is an amazing example of all that. He's gorgeously molded and very highly detailed, with a lizard and dragonfly on his back, bumpy ridges and scaled all over him and a spear stuck in his hide! I'm really into how his arms, legs and tail all tuck underneath him to retain the ball shape.
His blurp is also really detailed on par with the fly. A little caveman holding his nose and wearing a Flintstones style one piece! YES! Look at his tongue flapping in the wind! I've already made up my own story about how these two wound up together but I won't share it and ruin it for you. Come up with your own!Retch-a-rat Tomcat is similar to Croaky Bugchuck but not as gnarly. He honestly just looks like some of the strays in my neighborhood, which is sad not cool. I do love the detail of his fur and paw pads but hes honestly a little boring. I think I do like the animal ones but this one isn't doing it for me.

However, his blurp is really amazing. He's a cute little rat with a bandaide on his butt! I'm sure he was so filthy that even that disgusting tomcat had to spit him out. The look on his face! Love!Last but not least is the best of the animal designs. Sharky Skullsquirt wins points just for being a shark but he's also really well designed. He's covered in wrinkles and jabbed with a hook and a harpoon (we won't talk about the really poorly rendered blob-of-a-lamprey on his butt) as well as drooling blood all over hmself!

His blurp is amazing too. A skull (with eyes again....I love that) of a diver, maybe the d-bag that tried to harpoon him and failed.

Before I wrap this up, I thought I'd show you some close ups of some of the more impressive monsters so you could see why I'm so impressed. In conclusion...DO IT! These toys are really amazing and surpass most nonbootleg monster ball toys. The level of intricacy and design are top notch. James Groman's signature gross-out style come delivers the goods. Not to mention they hold up really well due to the rubber they're made out of.

As much as I love these dudes, it's hard for me to recommend them to other collectors solely for the fact that they are super expensive. Most of the ones I've seen on ebay MOC are $75. Most of mine I hunted down in vintage toy stores, message board trades, and craigslist. That's actually a funny story.

I google-searched "Blurp Ball Craigslist" and actually found a listing for Retch-a-rat Tomcat and Croaky Bugchuck from some dude in Rochester, NY who was asking for $10 for both! Not only did the purchase go smoothly but I also discovered he's in a power metal band called Children Of The New Sun!!!